Hyphenation ofcontre-passeras
Syllable Division:
con-tre-pas-se-ras
Phonetic Transcription:(how the word sounds using IPA symbols)
/kɔ̃tʁə.pa.se.ʁa/
Stress Pattern:(which syllables are emphasized when speaking)
00001
Primary stress falls on the final syllable 'ras'.
Syllables are the building blocks of words - each one typically contains a vowel sound
Open syllable, vowel followed by consonant.
Open syllable, consonant cluster followed by schwa.
Open syllable, consonant followed by vowel.
Open syllable, consonant followed by vowel.
Open syllable, consonant followed by vowel, primary stress.
Morphemes are the smallest meaningful parts of words: prefixes (beginning), roots (core meaning), and suffixes (ending)
Prefix: contre-
Old French, from Latin 'contra' meaning 'against', preposition/prefix indicating opposition.
Root: pass-
From Latin 'passus', past participle of 'pascere' meaning 'to graze, to step', indicates the action of passing.
Suffix: -eras
From Old French, ultimately from Latin '-āre' forming the future tense, future tense marker, 3rd person singular.
To counter-pass; to pass against something.
Translation: To counter-pass
Examples:
"Il contre-passera l'obstacle avec agilité."
"Elle contre-passera son adversaire pour gagner la course."
Words with similar syllable patterns or pronunciation features
Shares the '-eras' suffix and similar syllable structure.
Shares the '-eras' suffix and similar syllable structure.
Shares the '-eras' suffix and similar syllable structure.
The linguistic principles used to determine where syllables begin and end
Open Syllable Preference
French favors open syllables (ending in a vowel).
Consonant Cluster Resolution
Consonant clusters are broken up to create open syllables.
Schwa Reduction
Unstressed 'e' is often reduced to a schwa /ə/.
Important exceptions or unusual features in this word's pronunciation or structure
Liaison between 'contre' and 'passeras' is not always pronounced.
The 'e' in 'passeras' is often reduced to a schwa.
Regional variations in schwa pronunciation.
Summary:
The word 'contre-passeras' is divided into five syllables: con-tre-pas-se-ras. It's a verb in the future tense, formed from the prefix 'contre-', the root 'pass-', and the suffix '-eras'. Stress falls on the final syllable 'ras'. Syllabification follows French rules favoring open syllables and schwa reduction.
Detailed Analysis:
Analysis of "contre-passeras"
1. Pronunciation: The word "contre-passeras" is pronounced approximately as /kɔ̃tʁə.pa.se.ʁa/. The 'e' in '-passeras' is often reduced to a schwa /ə/.
2. Syllable Division: The syllable division, adhering to the rule of using only the original letters, is: con-tre-pas-se-ras.
3. Morphemic Analysis:
- Prefix: contre- (Old French, from Latin contra meaning 'against'). Function: preposition/prefix indicating opposition.
- Root: pass- (from Latin passus, past participle of pascere meaning 'to graze, to step'). Function: indicates the action of passing.
- Suffix: -eras (from Old French, ultimately from Latin -āre forming the future tense). Function: future tense marker, 3rd person singular.
4. Stress Identification: The primary stress falls on the final syllable: ras.
5. Phonetic Transcription: /kɔ̃tʁə.pa.se.ʁa/
6. Syllable List with IPA and Rule Explanations:
- con: /kɔ̃/ - Open syllable. Rule: Vowel followed by a consonant. No special cases.
- tre: /tʁə/ - Open syllable. Rule: Consonant cluster followed by a vowel. The 'e' is often reduced to a schwa.
- pas: /pa/ - Open syllable. Rule: Consonant followed by a vowel. No special cases.
- se: /se/ - Open syllable. Rule: Consonant followed by a vowel. No special cases.
- ras: /ʁa/ - Open syllable. Rule: Consonant followed by a vowel. This syllable receives the primary stress.
7. Syllable Division Rules Applied:
- Rule 1: Open Syllable Preference: French generally favors open syllables (syllables ending in a vowel).
- Rule 2: Consonant Cluster Resolution: Consonant clusters are typically broken up to create open syllables, but not always.
- Rule 3: Schwa Reduction: Unstressed 'e' is often reduced to a schwa /ə/.
8. Exceptions/Special Cases: The liaison between "contre" and "passeras" is not always pronounced in casual speech. The 'e' in 'passeras' is often reduced to a schwa.
9. Grammatical Role: "Contre-passeras" is the 3rd person singular future tense of the verb "contre-passer" (to counter-pass). Syllabification and stress remain consistent regardless of the verb's conjugation.
10. Regional Variations: Pronunciation of the schwa /ə/ can vary regionally. Some speakers may pronounce it more distinctly.
11. Phonological Comparison:
- compareras: con-pa-re-ras - Similar syllable structure, stress on the final syllable.
- dépasseras: dé-pas-se-ras - Similar syllable structure, stress on the final syllable.
- repasseras: re-pas-se-ras - Similar syllable structure, stress on the final syllable.
These words all share the "-passeras" ending, resulting in similar syllabification patterns and stress placement. The prefixes differ, but the core structure remains consistent.
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What is hyphenation
Hyphenation is the process of splitting words into syllables and inserting hyphens between them to facilitate the reading of a text. It is also used to divide words when the word cannot fit on a line.
This technique is particularly helpful in fully justified texts, where it aids in creating a uniform edge along both sides of a paragraph. Hyphenation rules vary among languages and even among different publications within the same language. It's a critical component in typesetting, significantly influencing the aesthetics and readability of printed and digital media. For instance, in compound adjectives like 'long-term solution', hyphens clarify relationships between words, preventing misinterpretation. Moreover, hyphenation can alter meanings: 'recreation' differs from 're-creation'.
With the advent of digital text, hyphenation algorithms have become more sophisticated, though still imperfect, sometimes requiring manual adjustment to ensure accuracy and coherence in text layout. Understanding and correctly applying hyphenation rules is therefore not only a matter of linguistic accuracy but also a key aspect of effective visual communication.